Needing to get on it
Outside of teaching classes, tutoring, being a good Mommy to my cats, and being a good wife, I am supposed to be working on my dissertation prospectus in my role as a good graduate student. As an effort to get on this, I am devoting this blog entry to this goal. Obviously, one blog entry isn't enough time or energy for what needs to be done for this project, but I think it is a good start.
I am still in the brainstorming stage of my dissertation prospectus. I know that my most general topic/interest is about postfeminism and composition studies. I know that in order to discuss this, I have to explore feminism and composition studies. Right now, I have outlined mentally a number of ways feminist theory relates to composition studies, and I have identified a number of feminist issues in pedagogies of writing.
I think that the next step is to delineate how a postfeminist approach to composition studies would be separate from a feminist approach, whether it challenges feminism, is derivative of feminist ideas, depends on feminism, is an extension of feminism, or even exists. My inclination is to say that I have to explore all of the above.
Perhaps before I can explore the above, I have to answer the question of whether there really is a postfeminist perspective on composition studies? There have been some number of discussions about postfeminism in general, although not very consistent and in a mostly non-academic context. My gut feeling is that postfeminism can be applied to composition studies, but hasn't already been in academic circles.
But, if I go by gut feelings, this means that I am going to have to come up with a postfeminist approach to composition studies with little academic sources, and perhaps some general applications derived from a non-academic context. I would also have to show the reason why this application would be fruitful.
I guess I am struggling with is the idea of coming up with my own view of postfeminist composition studies.
1 comment:
I wish I had some helpful words, but all I can say is that it sounds really fascinating to me. I always wonder about the distinction between feminism and post-feminism, honestly (and I know "post-feminism" is not a term all feminists accept--those who'd argue it implies that feminism is at an end, and don't accept that premise). So I'm all-around curious about your project, both its definitions of terms and its relation to the study of composition. I'd love to hear more about your ideas as they develop.
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